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CrasH & The Fury's

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CrasH & The Fury

 

Redfury Entertainment

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Q: Who are you?

A: Who are you?  In all seriousness, we're CrasH and The Fury, two of the greatest filmmakers never to be seen.  We're best friends since college who figured out that making movies was a really good way to hit on girls.


Q:  Is it really all about the girls?

A: Yes.  And the fact that we really do like filmmaking.  And girls.  Girls are attractive and fun to play with.

CRASH FOLLOW UP: In all seriousness, it really is all about the girls.  See, Fury has a girlfriend.  He's stuck.  I, on the other hand, do not.  So I get to...go home and cry and eat an entire box of ice cream by myself....I'm so fat.  NOBODY LOVES ME!!!!  *WHHAAAAHHHH*

OOoooooooo K.  Moving on.  What's it like being award winning filmmakers, winning your first festival, right out the gate?

A: It was, in all seriousness, unbelievable.  Check out the LSP News page for more.  After two years of filmmaking, with varying degrees of success, we finally decided to enter our first film festival.  To come in second place out of 60+ films and over 100 teams, at our first festival ever, was just, awesome.  It made the past two years so worth it.  Seriously, check the LSP News page for more.


Q:  What is CAFRough?

A:  Watch the video.


Q:  I did.  What IS CAFRough?

A:  Oh.  You want to know where the title came from and why it's spelled that way.


Q:  Yes.

A:  That's not a question.


Q:  Ok, where did the title come from and why is it spelled that way?

A:   Those who worked on the project know.  Those who didn't don't.  Company secret.  If you sign up to work with us, then you might learn more company secrets.


Q:  You said everything in the CAFRough series is based on real life.  Your lives can't be that screwed up, can they?!

A: They can and they are.  Kinda makes you feel better about your own life, doesn't it?


Q:  This is an FAQ for you.  Why are you asking me a question?

A:  Sorry.  Ask away.


Q:  Where did you learn how to make films?

A:  Nowhere.  Seriously.  We never went to film school.  We didn't really start reading any books until we'd already started on our first one.  We learned by trial and error...many trials and many, many errors.  We knew it couldn't be that hard.  Filmmaking as a whole is tough, because it's made up of a bunch of little things.  Each of the the little things isn't that hard.  And whenever we came across one we didn't know how to do (like use a particular piece of software to edit or properly format a script), that's when we read a book or figured it out on our own.  And that's what we encourage you to do.  Make a movie.  Learn by doing.


Q:  How did this all start?

A: Since CrasH is the religion major, I'm gonna let him take this one. 

Alright, well, long ago, before there was anything, the Spirit of God hovered, brooding over the emptiness of non-existence.  And He said, "Let there be light."  And there was light.  And He saw the light was good.  If you want to find out how the story ends, read the Book.


Q:  No, how did this whole "CrasH and The Fury" thing start?

A:  Ok, well, several years ago, we started the first college dodgeball league in the world.  And CrasH had the idea to make a movie about it.  After all, dodgeball was inspired heavily by the pageantry in pro-wrestling, so making a fictional account into a movie that resembled a pro-wrestling history package just before a title match seemed appropriate.  After that, we had more ideas and made those into films too.


Q: So CrasH and The Fury is one company then?

A:  Not really.  We each own our own.  CrasH runs Loading Screen Productions and I [The Fury] run Red Fury Entertainment.  This allows us each to be in charge, yet still team up on the bigger projects.  As I said on my home page, we're not joined at the hip; it's just fun to work with friends.


Q: Why are you two so smart, handsome, sexy, and just generally desirable in every possible way?

A:  Uhh, because we're special.  We enjoy what we do.  We're happy.  Even when we're frustrated about how CAFRoughed up something we're working on is, we're still happy.  Happiness and enjoyment of what we do breeds confidence, and confidence is attractive. 


Q:  What's next for you?

A:  Well, we still have a feature in production at the moment, plus another one to do after this one is released.  After that, who knows?  Maybe a short film or two.  Maybe a feature or few.  Maybe nothing more.


Q:  What do you have in the works for your next festival?

A:  Well, I'd be lying if I said I hadn't thought about entering another festival.  Our first festival was a pretty enjoyable experience.  There were stressful moments, don't get me wrong.  But it was, overall, a good experience.  But, we'd never really given much thought to festivals before February 2005.  And, right now, we're still not.  Aside from seeing how it all ends at the Fox Theatre in March 2005, we haven't really thought about future festivals.  It's just business as usual.


Q:    So, no more CrasH & The Fury films at film festivals?  :-(

A:     Well, now, we didn't say that.  What we're saying is that entering the first one was kind of a spur of the moment decision.  We're not actively seeking other festivals to enter, but we're not ruling it out.  We're just not really thinking about it. 


Q:     But, festivals are a good way to promote yourself, to move up in the ranks and get more prestige, so you can show more films in bigger venues, right?  Isn't that every filmmaker's dream?

A:     If it is, then we may not be what you'd consider a filmmaker.  We make films for the love of making films.  We don't make films to win festivals.  But when we enter a festival, we put in our best, like we do on every project.  If the judges like our work enough to give it an award, so be it.  If not, what do they know?  When "Disputed" was finished and released in 2003, I [CrasH] said something that I still stand by--"If I could just make one film every year or two, gather the cast and crew and my family and friends together to watch it at my house, with drinks and snacks and such, and that's the biggest showings we ever get, I'd be happy." 

To get caught up in the world of festivals and awards can take the fun out of it for me.  It can take the purity of the art from me, driving me to make films just to enter into festivals, trying to win them.  Instead, I'd rather write, shoot, and direct what comes into my head, not because I'm trying to impress anyone, but just to share my ideas with people.  In the end, that's all art is--a sharing of ideas in a chosen medium.  At least, that's what it is to me.  And that's why I make films.  Festivals are fun, but they are not my raison d'etre.